The stories of Hebrew literature put great emphasis on God and man. They tell historical stories about the Israelites’ journeys, and about their plight in Egypt and how God delivered them, reinforcing mostly the same themes: God, man, law, sanctions, and inheritance. The Psalms, Written by King David, have ethical and moral conflicts, and contain King David’s cry for repentance to the Lord. Within this rich section of literature, Man is God’s agent over creation, and God’s law is a test for Man.
Rome’s worldview was based on the Greeks and their literature was derivative. They had the same gods as the Greeks, who lived on Mount Olympus and ruled over the earth. The gods of Mount Olympus were untrustworthy and often deceived the mortals. During this time literature was often political and reinforced the claim that the Emperors were chosen by or were gods themselves. For instance, the Roman Emperor Octavian would frequently buy support from poets, in order to push his narrative.
Medieval literature stated that God is sovereign and there is institutional hierarchy. It placed obedience in God and worldly systems under obedience to God. Thus, the Church was put in a preeminent state and it was seen as the highest possible earthly power. Kings were chosen by God and the Pope was the supreme ruler of all political leaders. A famous work from this period, the “Little Flowers of Saint Francis of Assisi” made the point that many people who say they believe in Christ will still go to hell, so people need to work for God on earth in order to gain salvation.
After the Black Death and the start of the Renaissance, literature strayed farther away from religion and the Church than ever before. It placed less emphasis on the Church’s authority and gave little credence to God at all. All points of Medieval literature were overturned and many stories show no trace to a sovereign God. Consequently, they paint the Church and the State as the common enemies of the people, and often make the Church seem corrupt.