The Hundred Years’ War

Despite being called the Hundred Years’ War, the bloody struggle was not a continuous war lasting a century. Rather, it consisted of different conflicts between England and France that continued on but were interspersed with small breaks throughout the Fourteenth-Century. Throughout most of the conflict, England dominated the battlefield, inflicting their first major defeat of France at the Battle of Crecy in 1346. 

After again being dominated at Poitiers in 1356, the French King John “the Good” was captured. France was further humiliated in 1360, after signing a treaty which made over a third of France pay feudal taxes to the English. 

However, Charles V of France slowly pushed back the English, eventually reducing their presence in France to only outposts around Bordeaux and Calais. The next French King, Charles “the Mad” lived up to his name by going insane, and reducing France to infighting and civil strife. The English took this opportunity to attack a weakened France, as the second phase of the war started in the early 15th-Century. 

Battle of Agincourt - Wikipedia
Battle of Agincourt.

Henry V of England decisively defeated the French at Agincourt with a smaller, but better equipped and trained army. After this loss and the Burgundians joining the war on the side of the English, the French were forced to capitulate again. French King Charles VI’s daughter was pressured to marry Henry V, ensuring that their children would be born into the English royal family and therefore inherit both the French and English throne. 

Both kings would die in 1422, leaving the crown of France and England to Henry’s infant son. The French were furious at this, especially Charles VII, who would have inherited the French throne if he hadn’t been disinherited. In order to reclaim his lost inheritance, Charles VII accepted help from French sympathizers including Joan of Arc, the heroine from the major battle at the Siege of Orleans. Swaying the momentum of the war towards the French, they won increased victories over the English. Eventually, Charles VII was declared the rightful King of France, but deceitfully abandoned Joan of Arc in order to appease the English. At the age of 19, Joan was burnt at the stake in 1431, and would go on to become a Saint of the Catholic Church in 1920. 

In the end, the Hundred Years’ War accomplished basically nothing, with the English failing to complete their goal of conquering France. At the end of the war in 1453 they had lost all of their holdings in France except for Calais, which they would lose in 1558.

The Little Flowers, Part 1

St. Francis of Assisi, one of the most influential Catholic Saints of all time, founded an order of monastics known as the “Franciscans.” “The Little Flowers of St. Francis,” written shortly after his death in 1226 was composed of anecdotes and legendary stories about the life of the famous christian and the men who were closest to him. These Franciscans were regarded as very holy at the time, were even said to be the holiest men since the apostles of Christ. “The Little Flowers” was divergent in contrast to other stories of the time, like “the Song of Roland” which focused on military victories and glory, while “the Little Flowers” offered a pacifist worldview and presented many of the stories about humility and personal sacrifice. 

Francis of Assisi - Wikipedia
St. Francis.

The book begins with a comparison between Jesus’ and Francis’ ministries, asserting that the essence of both was poverty. Miracles frequently happened to Francis’ followers and it was said that God used these divine experiences through the Saints’ merits. Never bothered by ridicule Francis was humble and said that supreme holiness was rejoicing in injustice and persecution. The book states that Christ personally met with the Little Flowers and that Francis could preach to birds. 

Explaining that the way to salvation was good works, Francis had a low view of himself and called himself evil, but he regarded his works with a high view. Some of his other miraculous feats included the ability to read minds and his conversion of the Sultan of Babylon to Christianity. Also having compassion, Francis rebuked a friar who chastised robbers who wanted food, and even converted the robbers after giving them bread and wine. 

In order to join the Franciscans one had to renounce wealth and accept mortification and penance. After submitting to these things, a Franciscan could talk to God like a friend. Despite the fact he did multitudes of great works, Francis wanted his brethren to speak ill of him and contrasted his own vileness with the righteous works he committed. Poverty was known as an evangelical grace by the Little Flowers, therefore they were the poorest of all monastic orders. Franciscans were uniquely holy and were all inspired by Francis, who had divine wisdom which few others in his time were able to obtain.

Humanism and Renaissance Art

Italian scholar Niccolo Machiavelli.

By the 15th century, many scholars in Western Europe adopted humanism, the belief that humans and earthly inventions are better than Christianity, the Church, or religion in general. Civic humanism is when these scholars put their worldviews at the service of the state government causing many influential people in Europe to become humanist. Consequently, they started to claim that the Catholic Church should not have as much influence on government. 

One of these humanists was Niccolo Machiavelli (1469-1527) who wrote “The Prince” (1513), which contrasts medieval works with politics, and ancient and contemporary sources on morals. Machiavelli stated that the government should do whatever it needs to maintain itself and be prepared to act immorally if necessary. In fact, he wrote that in order to maintain its power, the state must “act treacherously, ruthlessly, and inhumanely.” Because he saw Christian governments as being bound to morality, Machiavelli wanted to bring back ancient forms of government like the Roman form.

In the early 15th century, the Florence Cathedral commissioned bronze doors to be made for the baptistery and had a competition between seven artists to make them. Lorenzo Ghiberti (1378-1455) won and we still have his submission today. Ghiberti crafted 28 panels for this church that were so grand even fellow painter and sculptor Michelangelo described them as “so fine that they would grace the entrance of paradise.” Ghiberti’s assistant, Donatello (1386-1466) made use of his time working for the great artist and created the Statue of David (1440). 

Bronze doors of the baptistery on the Florence Cathedral.

Filippo Brunelleschi (1377-1446), considered the first great architect of the Renaissance, completed the dome of the Cathedral in Florence, while Michelangelo planned the dome of Saint Peter’s Cathedral in Vatican City. Another influential architect, Leon Battista Albert (1404-1472) made a guild of other young builders to help him with his work. Cimabue (1240-1302) is famous for the mosaic of Saint John, and although he still used made elements from the Eastern Byzantine style of religious architecture, his works were considered a step forward towards portraying emotion and realism.

Cimabue influenced medieval painter Giotto (1276-1337) who made his figures realistically and portrayed more feeling. This can be seen especially in his painting “The Kiss of Judas.” During the 13th and 14th centuries perspective and foreshadowing started to develop more and more. 

Masaccio (1401-1428) pioneered the use of light and shade to provide detail, and influenced later painters in the next century even though he died at a young age. Paolo Uccelo (1397-1475) put exceptional emphasis on perspective in his work “The Hunt By Night” and Fra Angelico (1387-1455) is known as the last medieval painter before most artists switched to Renaissance style. 

“The Hunt By Night” by Paolo Uccelo (1470).

Starting in the 14th Century, Catholic painters in Western Europe used more detail and portrayed emotion and perspective in religious paintings, whereas in Eastern Orthodox churches they continued to use the traditional Byzantine style, which still persists today in Russian and Greek churches.